Mô tả

This course will be a deep dive into important audio engineering and sound production fundamental topics. Knowledge of these topics will improve your skills and confidence in any facet of audio production. The concepts are mostly taught in the music production framework, but the course is intended to be applicable to those interested in film audio, game sound design and podcast recording and editing. The concepts taught are transferable between all of those subcategories of audio engineering.

Whether you're just starting out or you've been producing great sounds for a while now I guarantee there will be fundamentals missing from your knowledge base. The overarching topics in this course are Sound Waves, Digital Audio, Analogue Audio Signals, Microphones, Signal Processing and Human Localization of Sounds.

Course concepts are demonstrated using Pro Tools, however it is not critical that you following along with or use Pro Tools. The concepts are generic and can be emulated and solidified using any digital audio software! It is encouraged that you follow along with the demonstrations in your own software so that the concepts taught can stick in your mind.

Summaries of some of the lessons are downloadable and it is highly encouraged that you download and review these summaries at a later date so that the core concepts can stay with you throughout your audio journey!

Bạn sẽ học được gì

You will obtain a thorough understanding of audio theory fundamentals

You will be able to use the course content as a springboard with which to improve their creative craft

You will be able to apply new knowledge and skill to their chosen digital audio workstation

You will be able to more effectively and confidently conduct audio recordings

You will be able to apply audio theory in order to troubleshoot audio systems

Yêu cầu

  • There is no prior knowledge expected of learners undertaking this course. It would be beneficial for students to have access to a digital audio workstation of some kind in order to follow along with some of the materials, but this is not essential.

Nội dung khoá học

7 sections

Sound Waves

22 lectures
Sound Waves
05:36
Sound Waves Continued
02:17
Sound Waves and Air Molecules
05:38
Multiple Sounds Playing at Once
10:33
The Polarity Inversion
10:17
Sine Waves Out of Phase
04:39
Amplitude
22:13
Amplitude Continued
06:56
Frequency
04:56
Sine Wave Frequency Demonstration
05:57
Wavelength
05:59
Harmonic Sounds
08:32
String Harmonics
19:03
Octaves and Harmonic Intervals
07:43
EQ Curves
14:11
Noise Signals
03:08
Equal Loudness Curves
13:30
Comb Filtering
12:12
Polarity Inversion Revisited
01:58
Polarity Inversion Pink Noise Demo
05:30
A Polarity Inversion Has No Audible Effect in Isolation
04:08
Inversion vs 180 shift vs Comb Filter
13:17

Digital Audio

13 lectures
Digital Audio Overview
14:26
Samples Points in Software
05:08
The Nyquist Theorem (Sampling Theorem)
08:26
Importing the Wrong Sample Rate
09:37
Converting Sample Rates
03:52
Oversampling in Plugins
08:42
Bit Depths
07:49
Bit Crushers
04:47
Bit Crusher Revisited
06:03
Bit Depths and Quantization Distortion
09:04
Floating Point Bit Depth
06:32
Floating Point Bit Depth Part 2
05:04
Recorders with Floating Point
03:51

Audio Signals

11 lectures
Microphone Level Signals
05:53
Microphone Preamps
03:28
Mic Level and Line Level
07:40
Pro Line Level and Consumer Line Level
07:28
Speaker Level
06:35
Instrument Level
02:49
Bridging Impedance
07:03
DI Boxes
15:33
Unbalanced Connectors
05:48
Balanced Cables
13:23
Headphone Connectors
07:54

Microphones

9 lectures
Dynamic Microphones
10:46
Condenser Microphones
10:39
Phantom Power
08:15
Ribbon Microphones
11:45
Comparing Our Three Mic Types Part 1
09:07
Comparing Our Three Mic Types Part 2
04:27
Polar Patterns
12:15
Plosives
06:07
The Proximity Effect
06:01

Signal Processing

20 lectures
Gate/Expanders
20:22
Compression Explained
12:49
Kick and Snare Compression
09:00
Voice Compression
09:07
Parallel Compression
04:45
Bass Compression
11:09
Side Chain Compressor
02:37
De Esser (Side Chain Example)
11:14
Side Chain Kick and Synth
04:31
Reverb Demonstration
16:55
Reverb Drum Timing
03:55
Reverb Auxiliary Inputs
05:22
High Pass Filter on Reverb Auxiliary
04:17
Pre and Post-Fader Sends
11:12
Convolution Reverbs
06:20
Delay
16:34
Chorus
08:38
Flanger
10:57
Distortion
11:14
Tape Saturation
07:55

Localization

5 lectures
The Illusion of Stereo
08:22
Localization of Sounds
07:42
Diffraction
15:28
Speaker vs Headphone Mixing
06:01
Single vs Stereo Microphone Recording
09:44

Finale and Recap!

1 lectures
Final Recap
46:04

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